Thursday, February 24, 2011

Tamara Drew





















How can you catch the English countryliving in a movie? Nylon reporter Luke Crisell wrote this month:
'The middle classes rarely afforded much screen time. That might well be because they're very boring, especially in the countryside. In the UK, te rural middle classes bumble along picturesque lanes with dry-stone walls, ride horses, read ludicrously boring local newspapers and gossip in the pub. [...] At least, that's the stereotype.'
Now Stephen Frears (The Queen) used this stereotype to make the film Tamara Drewe, set in the bucolic, rolling hills of Dorset (the south-west).

Surprisingly it's based on a graphic novel: Tamara Drewe from Posy Simmonds (Mariner/Houghton Mifflin, 2008). It's actually remarkably recognizable and hilarious.


























The story takes place over the course of four seasons at a writer's retreat on a farm, where the arrival of hot young columnist Tamara Drewe and her rock star boyfriend disturbs the affairs of the couple that owns the farm, their handyman, a writer who farts around in one of the guest houses, and two of the local high school girls.

Research reveal another unexpected fact. Posy Simonds is not only a woman, she's a true English one as well (how not emancipated of me to think of a man first, and subsequently about a young woman!)
























When you're intrigued, just like I am, look at the trailer. Or better, watch the movie, it's real fun.
Welcome to the English countryside ....

Tuesday, February 22, 2011

Book trailer (12): I Am Number Four

This is the book trailer of the number one selling Teen Book I am number four, according to the New York Times.

Monday, February 21, 2011

The Hands of Karsh
























I work a lot with the great photographer Mandy Pieper (www.mandypieper.nl) and while I'm interviewing she's obsessively observing the people I talk with. Afterwards, when she's making the pictures, I do the same and also notice the eye of a good photographer.
One of the things I learned from her is the importance of the hands. Maybe it's a well known principle in photography, but when you notice it, you see how truthful it is. A portrait with hands is different from a portrait without. Last week I saw another proof of it: the photo's from photographer Yousuf Karsh. In the marvellous documentary Fotograaf Yousuf Karsh schrijft geschiedenis, Dutch for Photographer Karsh writes history I saw the importance of the hands again. What a first-rate photographer he is.
(If you want to see the documentary, here it is in English and Dutch: http://www.nps.nl/page/programma/238/het-uur-van-de-wolf/aflevering/detail/11163495/fotograaf-yousuf-karsh-schrijft-geschiedenis)

Photo's: Back to the Future

I love this idea. I wish I would have had it: the Back to the Future project from Irina Werning. It's simple: because she loves old photo's, she's asking people to pose for her in the same way they did years ago as a child. The result is great, these are my favourites.
More photo's on: http://irinawerning.com/back-to-the-fut/back-to-the-future/